Today we learned that Stan Lee passed on to the next phase of existence. At the age of 95, he was more than just some comic book creator, and the web is full of writers, creators, and artists mourning his loss.
Instead of being sad right now, I find myself being grateful for all he gave us, and thinking back to all of those times he was there for me. Most people don't realize just how present Stan Lee was in our childhoods.
My first introduction to Stan Lee's work, and Marvel Comics, was when I was just a small child. The mornings were for cartoons before school at the babysitter's house. Jeanie. That was her name and she half-raised me. Mom worked in a factory and would drop me off at about 6:30AM every morning.
Jeanie would give me a bowl of cereal and we would watch Ray Rayner on WGN Channel 9 until Bozo's Circus started. Ray Rayner was weird. In the summer, during heat waves, he would get the weather report for the week on Mondays and as he wrote down triple digits he would say, "Oh beautiful!" and "lovely!"
Triple digits. That's freaking hot and he loved it.
Ray Rayner would have cartoons, of course. He had a lot of Flash Gordon with Buster Crabb. He even had Buster Crabb on the show once and I remember thinking how miserable and unhappy Crabb seemed. It was like he was pissed off he had to answer questions about this series he did back in the 30's.
Sometimes, Ray Rayner showed Spider-Man, which would be divided into three segments. So on Monday, you would see Act I, where the commercial break would normally be, and have to wait until Tuesday for Act II. By Wednesday, you just wanted to get it over with because you know Spider-Man was going to win but you just didn't know how.
Us kids would talk about it, of course, and debate the finer points of how Spider-Man was going to win. All the while, singing the iconic song we've all come to know, from back in the 1960's.
You know the song. Sing it with me...
Spider-Man, Spider-Man
Does whatever a spider can.
Spins a web, any size,
Can't you see, just like flies.
Look out! Here comes the Spider-Man!
But Spider-Man wasn't the only cartoon I remember.
We had Thor. Most folks don't know about that but it's true. It wasn't really a cartoon, though. Not exactly. It was a comic book in pictures, with zooming angles on various panels from that issue. Even the titles were pictures of the cover of that issue. The Thor of the comic book is very different from the Thor in the films. Grim, humorless, uptight, stiff, and with a stick up his ass.
In that cartoon, there were a number of Avengers who made cameo appearances, like Iron Man, Ant Man, and Captain America. Iron Man back in the 60's was a stiff, nerdy guy who looked a lot like his dad in the movies.
By the time I was in the Fifth Grade, a comic book store opened in my small home town and everything changed. Everything.
It was called Knight Hobby and it had every comic book printed back then, or so I thought, as well as gaming stuff. Weird dice I'd never imagined, boxes with dragons the outside, figures from various fantasy realms. It was just incredible.
My favorite Marvel comic was Daredevil. My best friend back then, a kid named Pat Pember, was totally into Moon Knight. There was something about Daredevil that appealed to me. I think it was the troubled childhood since I was such a troubled kid myself.
Daredevil, Matt Murdock, felt like "my guy." I think that's how it goes with comic book heroes. We find one who has a backstory in which we see ourselves, and we become fans.
I think that's why I read so many Sgt. Rock comics. One thing I've come to find is how so many children associate their childhood with war and they see how war vets survived so they adopt those coping skills.
Brothers and Sister in PTSD, I guess.
But Stan Lee created intensely rich storylines that crossed over into other comics. He blended characters and titles so the readers would be exposed to other heroes and villains.
For about a year or so, the pattern for me was to take my paper route money on Saturday, and ride my bike downtown. There, I would hang out at Knight Hobby, and and shoot the shit with the older guys who were there. Kenny Feldman, who was the son of the building's owner, who in turn rented out the storefront to Jim Hay, who owned Knight Hobby.
I had little to offer the conversations. They were all just out of high school and I was in the Fifth Grade, but that didn't matter, because I would just stand there laughing at all the jokes they made.
Kenny had read just about everything and he gave me the best education about comics. Jim knew I was a kid with a paper route and would make me deals. It was because of those two I had the first dozen issues of Judge Dredd's American titles, along with a number of independent titles nobody had ever heard of, or would even remember.
I would spend my money and ride my bike home regardless of the weather. Once home, dad would be drunk, so I would go up to my room to avoid being seen. That was my mutant ability--invisibility. If dad saw me, he would tear into me, and hurl a long string of insults. Or put me to work doing any number of chores he wouldn't do himself. Dad had a habit of sitting around, going through a case of Old Milwaukee, and stewing as he looked around the house.
So, not being seen was imperative. If he saw you, there was going to be trouble, so I became nobody. I became a ghost. I was invisible.
Once up in my room in that drafty old house, I was able to relax, but I still had to be quiet. So, I read. I read books and on Saturdays and Sundays, I read all the comic books I could afford to buy.
Those comic books fueled my imagination. They were fodder for my daydreams so I could imagine a world that wasn't the one I was stuck in. A world where bad guys got what they had coming and was somehow just. A world where good guys like me go the girl because we were good guys.
Eventually, things got worse. They always did back then. Jim had to close down Knight Hobby and nobody else in town carried the comic books I read. It was too young to drive anywhere to buy them in other towns.
But I hung on to my comic books. As I got older, I bought more, and got into new titles, like Spawn and Cerebus. Most of the independent artists back then got their start at Marvel or were fans of Marvel. Stan Lee was the father of so many visions.
Stan Lee gave us flawed people with difficult lives who rose up above their own misery to be somebody who stood up for other people. He understood what it was like to come from complicated childhoods and violence. He understood what it was like to be somebody who carried darkness with them and preferred the shadows but didn't take that pain out on others.
Stan Lee didn't invent the anti-hero but he certainly contributed to our modern interpretation of it. Lee's heroes weren't upright, perfect people. They were flawed and maybe a bit weird but they still saved the person from peril and got the girl. Or the boy. He gave us a wide variety of heroes to choose from and identify with.
Stan Lee gave us something special. He gave us characters we could see ourselves in and then he had those characters stop the bad guys, meaning we could, too. Often, those bad guys were our own demons, and that was the War to End All Wars.
I'm going to miss Stan Lee but he gave us so much that it would take a person years to get through it all. He lived to be 95 years old so it's not like he was tragically taken from us before his time. He gave us more than we could rightly expect from a man, which in a way is a superpower itself, and a great lead for other writers to follow.
Even as just a man, he was a hero, and a role model.
So thank you, Stan Lee. I will never forget your voice in my youth starting cartoons off with, "This is Stan Lee..." and I will never forget what it was like to read issue after magical issue on those rainy Saturdays.
Instead of being sad right now, I find myself being grateful for all he gave us, and thinking back to all of those times he was there for me. Most people don't realize just how present Stan Lee was in our childhoods.
My first introduction to Stan Lee's work, and Marvel Comics, was when I was just a small child. The mornings were for cartoons before school at the babysitter's house. Jeanie. That was her name and she half-raised me. Mom worked in a factory and would drop me off at about 6:30AM every morning.
Jeanie would give me a bowl of cereal and we would watch Ray Rayner on WGN Channel 9 until Bozo's Circus started. Ray Rayner was weird. In the summer, during heat waves, he would get the weather report for the week on Mondays and as he wrote down triple digits he would say, "Oh beautiful!" and "lovely!"
Triple digits. That's freaking hot and he loved it.
Ray Rayner would have cartoons, of course. He had a lot of Flash Gordon with Buster Crabb. He even had Buster Crabb on the show once and I remember thinking how miserable and unhappy Crabb seemed. It was like he was pissed off he had to answer questions about this series he did back in the 30's.
Sometimes, Ray Rayner showed Spider-Man, which would be divided into three segments. So on Monday, you would see Act I, where the commercial break would normally be, and have to wait until Tuesday for Act II. By Wednesday, you just wanted to get it over with because you know Spider-Man was going to win but you just didn't know how.
Us kids would talk about it, of course, and debate the finer points of how Spider-Man was going to win. All the while, singing the iconic song we've all come to know, from back in the 1960's.
You know the song. Sing it with me...
Spider-Man, Spider-Man
Does whatever a spider can.
Spins a web, any size,
Can't you see, just like flies.
Look out! Here comes the Spider-Man!
But Spider-Man wasn't the only cartoon I remember.
We had Thor. Most folks don't know about that but it's true. It wasn't really a cartoon, though. Not exactly. It was a comic book in pictures, with zooming angles on various panels from that issue. Even the titles were pictures of the cover of that issue. The Thor of the comic book is very different from the Thor in the films. Grim, humorless, uptight, stiff, and with a stick up his ass.
In that cartoon, there were a number of Avengers who made cameo appearances, like Iron Man, Ant Man, and Captain America. Iron Man back in the 60's was a stiff, nerdy guy who looked a lot like his dad in the movies.
By the time I was in the Fifth Grade, a comic book store opened in my small home town and everything changed. Everything.
It was called Knight Hobby and it had every comic book printed back then, or so I thought, as well as gaming stuff. Weird dice I'd never imagined, boxes with dragons the outside, figures from various fantasy realms. It was just incredible.
My favorite Marvel comic was Daredevil. My best friend back then, a kid named Pat Pember, was totally into Moon Knight. There was something about Daredevil that appealed to me. I think it was the troubled childhood since I was such a troubled kid myself.
Daredevil, Matt Murdock, felt like "my guy." I think that's how it goes with comic book heroes. We find one who has a backstory in which we see ourselves, and we become fans.
I think that's why I read so many Sgt. Rock comics. One thing I've come to find is how so many children associate their childhood with war and they see how war vets survived so they adopt those coping skills.
Brothers and Sister in PTSD, I guess.
But Stan Lee created intensely rich storylines that crossed over into other comics. He blended characters and titles so the readers would be exposed to other heroes and villains.
For about a year or so, the pattern for me was to take my paper route money on Saturday, and ride my bike downtown. There, I would hang out at Knight Hobby, and and shoot the shit with the older guys who were there. Kenny Feldman, who was the son of the building's owner, who in turn rented out the storefront to Jim Hay, who owned Knight Hobby.
I had little to offer the conversations. They were all just out of high school and I was in the Fifth Grade, but that didn't matter, because I would just stand there laughing at all the jokes they made.
Kenny had read just about everything and he gave me the best education about comics. Jim knew I was a kid with a paper route and would make me deals. It was because of those two I had the first dozen issues of Judge Dredd's American titles, along with a number of independent titles nobody had ever heard of, or would even remember.
I would spend my money and ride my bike home regardless of the weather. Once home, dad would be drunk, so I would go up to my room to avoid being seen. That was my mutant ability--invisibility. If dad saw me, he would tear into me, and hurl a long string of insults. Or put me to work doing any number of chores he wouldn't do himself. Dad had a habit of sitting around, going through a case of Old Milwaukee, and stewing as he looked around the house.
So, not being seen was imperative. If he saw you, there was going to be trouble, so I became nobody. I became a ghost. I was invisible.
Once up in my room in that drafty old house, I was able to relax, but I still had to be quiet. So, I read. I read books and on Saturdays and Sundays, I read all the comic books I could afford to buy.
Those comic books fueled my imagination. They were fodder for my daydreams so I could imagine a world that wasn't the one I was stuck in. A world where bad guys got what they had coming and was somehow just. A world where good guys like me go the girl because we were good guys.
Eventually, things got worse. They always did back then. Jim had to close down Knight Hobby and nobody else in town carried the comic books I read. It was too young to drive anywhere to buy them in other towns.
But I hung on to my comic books. As I got older, I bought more, and got into new titles, like Spawn and Cerebus. Most of the independent artists back then got their start at Marvel or were fans of Marvel. Stan Lee was the father of so many visions.
Stan Lee gave us flawed people with difficult lives who rose up above their own misery to be somebody who stood up for other people. He understood what it was like to come from complicated childhoods and violence. He understood what it was like to be somebody who carried darkness with them and preferred the shadows but didn't take that pain out on others.
Stan Lee didn't invent the anti-hero but he certainly contributed to our modern interpretation of it. Lee's heroes weren't upright, perfect people. They were flawed and maybe a bit weird but they still saved the person from peril and got the girl. Or the boy. He gave us a wide variety of heroes to choose from and identify with.
Stan Lee gave us something special. He gave us characters we could see ourselves in and then he had those characters stop the bad guys, meaning we could, too. Often, those bad guys were our own demons, and that was the War to End All Wars.
I'm going to miss Stan Lee but he gave us so much that it would take a person years to get through it all. He lived to be 95 years old so it's not like he was tragically taken from us before his time. He gave us more than we could rightly expect from a man, which in a way is a superpower itself, and a great lead for other writers to follow.
Even as just a man, he was a hero, and a role model.
So thank you, Stan Lee. I will never forget your voice in my youth starting cartoons off with, "This is Stan Lee..." and I will never forget what it was like to read issue after magical issue on those rainy Saturdays.